Mauro Bianchini, “The Sinuosity of Sisyphus,” ArteVarese Newsletter June 15th, 2022 Venice
https://www.artevarese.com/la-sinuosita-di-sisifo-nella-scultura-di-meryl-taradash/ Kinetic Art Feature Online,
International Sculpture Center,2022
https://sculpture.org/gallery/ViewAlbum.aspx?id=64572351&album=&group=&index=0&p=0
Outdoor & Public Art Featured International Sculpture website Nov/Dec 2020
https://sculpture.org/page/sculptor-portfolios Suspended in Space, May 2020
https://www.codaworx.com/projects/the-music-of-light-the-music-center-at-strathmore/
Whirlwind:Art In Motion, Exhibition Catalogue, 2018 Overland Park, Kansas
Veterans Administration,2018 https://www.facebook.com/notes/va-ny-harbor- healthcare- system/spirit-of-
generosity/2248182995195735/
Neighborhood Slice, Channel 25 NYC Gov, 3/04,15 Broadcast Sideshow Gallery
Nucleus Fall 2014, Image of Stefa in Motion Back Cover CUNY Publication
Maureen Korp, “An Art Lover’s Hallowed Ground”, The Epoch Times, July 17,
2013 Grounds For Sculpture Art Salon March 2011 Web Profile
Long Island Children’s Museum: Meryl Taradash, FIOS 1, Long Island TV, February 21, 2010
Brian Glaser, “Not a Pretty Picture,” Visual Arts Journal, Spring 2009, School of Visual Arts, NYC
“Commissions-in-Brief,” Sculpture, September 2008, Vol. 7. No.7
Brooke Barrie, “New Additions Outdoors,” 2007Exhibitions, Grounds For Sculpture, Hamilton, NJ
Phyllis McIntosh, “Spotlight on Strathmore Sculptures,”Applause at Strathmore, 9/10/ 2005
Deborah K. Dietsch, “Strathmore a Great Hall of Suburbia, The Washington Times, 2/5/05
Dickson Mercer, “Strathmore- a new era for arts and culture,” The Frederick News Post,2/3/05
Emily J. Weitz, “Strolling Among The Sculptures,” Dan’s Papers, July 2, 2004
Sharon Schlegel, “Grounds for Healing,” The New York Times Living Section, Sunday,12/1/02
Joan Zendell, “Making Organic Shapes Fly,” The Southampton Press, 9/6/01
Mila Andre, “Sculptures Take To Great Outdoors,” Daily News, 5/4/01
Ariella Budick, “Sculpture and Science: A Labs Artful Mixture,” Newsday, September 1, 2000
Erica Lynn Gambino, “Taradash Review,” Sculpture, March 1999, Vol. 18, No. 2
Ehrismann, “Merging Art and Popular Culture,” The Star Ledger, 7/16/98
Adrienne Redd, “Artbeat,” SCTV Broadcast, July 1997
Who’s Who in American Art
Religion,Terror and Violence 2008
Public Art:A World’s Eye View
The World’s Who’s Who of Women, 12th Edition
Personal Structures Reflections Venice 2022 Art Biennial